Videomaker Presents

How to Organize a Shoot

editor@videomaker.com (Videomaker Magazine) — Mon, 06 Feb 2012 11:23:19 PST

In this how-to training video we show you how and why to assemble a storyboard, organize your resources, and manage a production schedule. When film-making, time is money, and being well organized will keep you on time and, more importantly, under budget.

How to Cast a Video Production

editor@videomaker.com (Videomaker Magazine) — Mon, 30 Jan 2012 13:43:15 PST

Here we show you how to bring your characters to life by casting the best talent you can for your production. We show you where to look for actors, and walk you through the screening and audition processes, all the way to making a final decision.

How to Break Down a Script

editor@videomaker.com (Videomaker Magazine) — Tue, 24 Jan 2012 08:53:34 PST

In this segment learn how to discover the story and the characters of your next production.

How to Get Rid of Unwanted Objects in Footage

editor@videomaker.com (Videomaker Magazine) — Wed, 18 Jan 2012 10:22:59 PST

In this training video we look at how to use object removal techniques such as scaling and cropping, chroma keying, or motion tracking.

How to Convert Frame Rates

editor@videomaker.com (Videomaker Magazine) — Wed, 11 Jan 2012 09:56:29 PST

We're going to show you how to successfully convert from one frame rate to another using footage interpretation and pitch shifting.

How to Get Rid of Hiss and Hums in Audio

editor@videomaker.com (Videomaker Magazine) — Wed, 04 Jan 2012 15:53:24 PST

We'll show you some handy tips for correcting hisses and hums using high and low pass filters, notch filters and automated tasks.

How to Fix Shaky Footage

editor@videomaker.com (Videomaker Magazine) — Thu, 29 Dec 2011 08:31:29 PST

Learn to fix jittery video the easy way, using the standard motion trackers and stabilizers found in common editing software such as Final Cut Pro and Adobe After Effects

How to Deinterlace Footage

editor@videomaker.com (Videomaker Magazine) — Wed, 21 Dec 2011 10:13:38 PST

In this training video we look at the different methods of deinterlacing footage like the field combination, field extension, and motion detection methods to help you make your footage look its best.

How to Color Correct Video

editor@videomaker.com (Videomaker Magazine) — Tue, 13 Dec 2011 10:52:45 PST

In this training video, we look at how to read color scopes and monitors, use color correction tools to fix your footage and use secondary color correction to make sure your footage looks its best.

Directing Music Video Shoots

editor@videomaker.com (Videomaker Magazine) — Tue, 01 Nov 2011 09:05:57 PDT

Directing music videos requires the skillful mixing of three rare traits: a good sense of style and creativity, strong leadership, and an extensive knowledge of technology. Though it might seem like few could fit this bill, we'll show you some helpful tips that can help anyone make sure their talent and crew give them the performances they need.

Editing Music Videos

editor@videomaker.com (Videomaker Magazine) — Wed, 26 Oct 2011 12:40:47 PDT

Compiling the edit for your music video may seem like a daunting task, but it doesn't have to be. If you just follow a few steps to organize your edit, build your rough cut, and add effects to your project, be assured that your video will not only impress critics but capture the essence of your artist perfectly as well.

Pre-production for Music Videos

editor@videomaker.com (Videomaker Magazine) — Tue, 18 Oct 2011 15:02:22 PDT

Just having a great idea and a good storyboard doesn't mean you're ready to shoot just yet. Like any good cinematographer, you'll first need to consider how to get your location ready,what you'll need for make-up and wardrobe, and what to prepare for your talent and crew in order to ensure that your shoot day goes well.

Contracts for Music Videos

editor@videomaker.com (Videomaker Magazine) — Wed, 12 Oct 2011 09:15:41 PDT

Contracts are important for any production. They help your talent and crew understand what's expected from them and they help you keep your business secure. To help you with your contracts, we'll be looking at talent and location releases, employee contracts, and client agreements so that you can stay out of court.

Forming Ideas for Music Videos

editor@videomaker.com (Videomaker Magazine) — Wed, 05 Oct 2011 08:29:45 PDT

Finding an idea for a music video can be one of the most rewarding parts of making a music video. To help you, we'll look at sources for ideas such as the artist's identity, musical lyrics, shock value, media, and how to use recycled ideas properly so that your music video can get started on the right foot.

Choosing a Music Video Genre

editor@videomaker.com (Videomaker Magazine) — Wed, 28 Sep 2011 08:54:34 PDT

Knowing the genre of a music video helps a director clearly define the style of a video. It's important to know their details so that you can make sure your video not only matches the artist's demands but connects with your audience as well.

Lighting Wide Shots for Video Production

editor@videomaker.com (Videomaker Magazine) — Tue, 30 Aug 2011 09:21:31 PDT

Wide shots establish the mood of a scene and are important to set correctly. This segment defines the goals of good lighting, gives you some tips on how to hide light fixtures, and offers some ideas for good lighting design so that your scenes can look artistic and professional.

Lighting for Night Video Shoots

editor@videomaker.com (Videomaker Magazine) — Tue, 23 Aug 2011 09:14:12 PDT

It only takes a few minutes on set to realize night scenes are one of the hardest setups to master well. To help you get the best night light setup, we'll give you some tips on how to light car interiors and outdoor settings in a professional way.

Lighting Car Interiors for a Professional Looking Car Scene

editor@videomaker.com (Videomaker Magazine) — Wed, 17 Aug 2011 10:23:36 PDT

Learn a few tried and true methods to lighting car interiors such as using a truck to power and tow the car, placing small, hidden lights inside the car or using a studio. These approaches can help you make your car scenes look just like professional scenes in the movies.

How to Set Up Lights to Make Product Shots Look Great

editor@videomaker.com (Videomaker Magazine) — Tue, 09 Aug 2011 10:44:43 PDT

In order to master how to control product lighting with any surface, we'll give you some tips on how to place lights so that your products can look both tempting and professional.

Finding and Setting Up a Studio Space

editor@videomaker.com (Videomaker Magazine) — Tue, 26 Jul 2011 14:44:10 PDT

Studios can save a lot of time in a shooting schedule. In order to set up your own, we'll show you what to consider when choosing a studio space such as size, electricity, and sound so that you can make a studio that not only makes your life easier, but impresses your clients as well.

How to Make Better Titles Using Lens Flares, Motion Tracking, and Other Effects

editor@videomaker.com (Videomaker Magazine) — Tue, 19 Jul 2011 13:47:00 PDT

Effects and filters can help titles look realistic and compelling. We'll show you how to use great effects like light flares, particle generators, noise, and motion tracking in a way that will make your titles look professional.

Animating Titles Using Keyframes

editor@videomaker.com (Videomaker Magazine) — Tue, 12 Jul 2011 15:06:14 PDT

Animating text frame-by-frame takes a lot of time, but keyframing makes quick work of any animation. We'll show you how to use this powerful feature to creatively animate opacity, position, scale, and rotation in a way that looks eye-catching and professional.

Using Design Elements to Make Better Titles and Graphics

editor@videomaker.com (Videomaker Magazine) — Wed, 06 Jul 2011 09:10:37 PDT

Today's digital environment makes it easy for graphic designers to have all the tools necessary to create visually stunning titles and graphics. We'll show you how to use typography concepts like contrast, spacing, and composition to create text that both engages your audience and moves them to action.

How To Make Titles and Bugs that Help Market your Company or Business

editor@videomaker.com (Videomaker Magazine) — Mon, 27 Jun 2011 11:16:40 PDT

Opening titles and bugs present you with an excellent opportunity to create a compelling image of your company and to imprint that image into the minds of your audience. We'll show you how to use these critical graphic elements to your advantage.

How to Create Company Logos for Promotions

editor@videomaker.com (Videomaker Magazine) — Tue, 21 Jun 2011 09:23:27 PDT

One of the most important graphic elements you will ever create is the logo. They're often simple in design, but seldom simple in execution. We'll help you make great logos by going over why logos are made, how to form your creative idea, and how to design each so that they are informational and memorable.

Designing Lower Thirds that Add Interest to Your Video

editor@videomaker.com (Videomaker Magazine) — Tue, 14 Jun 2011 14:01:50 PDT

The most common type of graphic used to identify people and companies are lower thirds. We'll be looking at their purpose and design and take you step-by-step through their creation as well. With these basic skills and a bit of imagination, you'll soon see your work rise from the depths of the mundane to the heights of audience pleasing excellence.

Field Sound Recording with Lavalier and Shotgun Microphones

editor@videomaker.com (Videomaker Magazine) — Tue, 07 Jun 2011 08:21:50 PDT

Audio plays many roles in a documentary. To help you make your audio sound great, we'll be looking at the proper ways to use microphones, how to monitor sound, and lastly, how to set up and operate field mixers. With this kind of knowledge you'll be able to make sure your audio is always sounding its best.

4 Common Lighting Setups for Professional Video

editor@videomaker.com (Videomaker Magazine) — Tue, 31 May 2011 13:17:01 PDT

Though great lighting does require some artistic prowess, even the first-time video enthusiast can get great results. To help you make professional looking lighting, we'll show you the steps everyone should take for a good lighting, how to place lights and equipment in outdoor settings, and proper 4-point, 2-point, and even 1-point lighting setups.

Liven Up Your Documentary by Capturing B-Roll

editor@videomaker.com (Videomaker Magazine) — Tue, 24 May 2011 13:17:49 PDT

Good B-roll helps you keep a good pace, cover mistakes, and dive even deeper into your story. To make sure your story has all of that, we'll go over some tips on how to direct and capture people and how to make sure you cover live events in a way that makes your documentary interesting and informative.

Getting the Best Answers in any Documentary Interview

editor@videomaker.com (Videomaker Magazine) — Tue, 17 May 2011 08:44:37 PDT

With a little preparation and knowledge, interviews can actually be one of the most thrilling portions of making a documentary. To help you prepare, we show you what to include when briefing your talent, how to ask quality questions, and how to respond to questions that will get you the best answers from your interview.

How to Set Up Lights and Microphones for Documentary Interviews

editor@videomaker.com (Videomaker Magazine) — Tue, 10 May 2011 13:35:58 PDT

To help you get started with your documentary interviews, we show you the equipment you'll need, give you some tips on making a room look good, tell you what you should include in your talent releases, and provide you with some tips to assure that your subject looks great on screen.

How to Get Access to Locations for your Documentary

editor@videomaker.com (Videomaker Magazine) — Tue, 03 May 2011 13:20:57 PDT

Getting access to the right locations can lend your story credibility and interest. To make it a little easier for you get into the places you need to shoot, we show you the types of venues you'll have to deal with, how to manage locations and when you'll need location releases.

Finding the Best Crew and Equipment for your Documentary

editor@videomaker.com (Videomaker Magazine) — Tue, 26 Apr 2011 08:36:16 PDT

Having a good crew behind you can help you to not only get the shots you need, but get them on time as well. To help you find good crews, we'll first go over some things to consider about crew members, what crew size you'll need and some sources of where to find solid crews.

How to Manage and Direct your Video Crew for your Documentary

editor@videomaker.com (Videomaker Magazine) — Tue, 19 Apr 2011 08:31:14 PDT

Keeping a crew happy results in a more efficient and stress-free production. In order to help you do just that, we'll go over some ways to hold useful production meetings with your crew, how to transport your crew, and some tips in catering food for your crew.

Tripods, Dollies, and Other Essential Accessories for Documentary Shoots

editor@videomaker.com (Videomaker Magazine) — Tue, 12 Apr 2011 10:17:11 PDT

Though shooting, audio, and lighting gear are incredibly important, they're not the only items that make make your documentary look great. That's why we'll go over what to look for in stabilizing equipment like a tripod or a sled, arm and vest system, dollies, and lastly essential grip gear for any shoot.

Choosing the Best Lighting Equipment for Your Documentary

editor@videomaker.com (Videomaker Magazine) — Wed, 06 Apr 2011 08:14:34 PDT

Good lighting defines the difference between great looking footage and poorly made home movies. Knowing the lighting technology and gear, such as fixture designs and lamp types as well as the best equipment for blocking, diffusing and reflecting light, can help your footage look like it belongs on the big screen.

Finding the Best Microphones to Capture Audio for Documentaries

editor@videomaker.com (Videomaker Magazine) — Tue, 29 Mar 2011 11:48:15 PDT

A good audio kit includes more than a microphone. The best kit will have a good field mixer, external capture device, headphones, and cables and adapters. Besides the gear, you'll learn about mic features such as pickup pattern, frequency response, wireless capabilities and design, so you can design the best audio kit that you can afford.

Finding the Best Video Camera to Shoot a Documentary

editor@videomaker.com (Videomaker Magazine) — Tue, 22 Mar 2011 08:39:09 PDT

With thousands of camcorders to choose from, finding the one most suitable for your project can be frustrating. To help you sift through the hype, we'll look at quality optics, battery technology, inputs and outputs, recording media, and controls. Using this information, you should find a camera that will help you to make your documentary a reality.

Delivering a Great Pitch to Convince Investors to Fund your Documentary

editor@videomaker.com (Videomaker Magazine) — Wed, 23 Feb 2011 08:13:52 PST

Now that you've put together a great prospectus, it's time to pitch it. Effective pitching involves doing research on your subjects, knowing how to approach them, and putting in a bit of practice. We'll show you some great ways to pitch so that you capture your investor's attention.

How to Make a Great Documentary Demo Reel

editor@videomaker.com (Videomaker Magazine) — Tue, 15 Feb 2011 09:58:56 PST

A demo reel reveals a lot about you. It shows an investor that you have the skills and the experience to make a quality documentary. We'll show you how to organize, edit, and prepare your reel so that you can give the right impression to almost anyone.

Fundraising Secrets for Documentaries

editor@videomaker.com (Videomaker Magazine) — Tue, 08 Feb 2011 08:54:40 PST

When getting money from investors just isn't enough, fund-raising is the next best option. There are many people who can't fund an entire documentary but can help you with a small part of it. To help you with this, we show you how to hold banquets, auctions, online events, and more.

Showing How your Documentary Can Make Money By Making a Budget

editor@videomaker.com (Videomaker Magazine) — Tue, 01 Feb 2011 09:22:57 PST

The most important and time consuming part of any prospectus is the budget. Budgets help investors know why your documentary costs what it does. This is why we'll show you what goes into a professional looking budget and how to lower your costs so that your documentary gets the funds it needs.

Writing a Video Prospectus to Get Funding for your Documentary

editor@videomaker.com (Videomaker Magazine) — Tue, 25 Jan 2011 15:05:44 PST

In order to get money for your documentary, a well planned prospectus is essential. It not only shows you've done your research and know your target market, it also shows that your documentary will make money. We'll give you some tips on how to make a prospectus that can impress your investors.

How To Fund a Documentary Using Grants, Investors and Donations

editor@videomaker.com (Videomaker Magazine) — Wed, 19 Jan 2011 10:17:26 PST

No documentary can be made without money. That's why it's important to know the different sources that are available to fund it. We show you what's available from grants to foundations to individuals.

Compose Better Video Shots Using Leading Lines and Rack Focus

editor@videomaker.com (Videomaker Magazine) — Wed, 12 Jan 2011 10:37:03 PST

Though art can be made in many forms, there are some concepts that hold true in every situation. Because of this, it can be very helpful to know the principles behind aesthetically pleasing framing so that every one of your shots tells the story you want it to.

Dollies, Pans and Other Types of Camera Movement

editor@videomaker.com (Videomaker Magazine) — Tue, 04 Jan 2011 16:18:36 PST

There is all sorts of fun equipment that can help you move the camera. Tools like dollies, stabilizers, and boom arms have been giving us unique perspectives for years. We show you how to use each one of these tools in a way that will make your video look spectacular.

Handheld Camera Techniques for Smoother Tripod-Free Video

editor@videomaker.com (Videomaker Magazine) — Tue, 28 Dec 2010 09:59:09 PST

Though tripods are a staple of any good production, there are still many situations where hand-holding is required. To this extent, knowing how to keep the camera steady in any hand-held situation can be the key to making your video look professional.

Controlling Light In Your Camera Using Exposure, Aperture, and Shutter Speed

editor@videomaker.com (Videomaker Magazine) — Tue, 21 Dec 2010 11:16:50 PST

Controlling light is essential to capturing a clean and detailed image. Because of this, knowing how to properly set aperture and shutter speed is one of the simplest steps in making great video that will impress those who watch it.

Make Great Titles with Motion Graphic Design

editor@videomaker.com (Videomaker Magazine) — Wed, 08 Dec 2010 09:48:55 PST

Though professional effects and plug-ins can help a title or video look great, there is still no better way to make great titles than to first know the artistic principles behind titles and motion graphic design. Motion graphics can also help your video go from good to professional, so we'll be looking at how shape, repetition, lines, light, color, and motion can be combined to form compelling titles and graphic designs.

Improve Your Video Image Using the Best Lenses and Filters

editor@videomaker.com (Videomaker Magazine) — Tue, 30 Nov 2010 11:32:47 PST

The lens is where the magic of cinematography begin. With it you can bend light into focus, achieve great depth of field, and zoom into your subjects. We will show you the benefits of interchangeable and fixed lenses as well as what filters can do to make your video look as good as those from Hollywood.

Using Storyboards, Shot Logs, and Slates to Keep your Video Business on Track

editor@videomaker.com (Videomaker Magazine) — Tue, 23 Nov 2010 15:53:36 PST

Few things in life work well without a plan. The same goes for video. Planning a shoot by completing shot sheets, storyboards, logs, and slates can help you to get the shots you need and help your video to look planned and professional.

How to Adjust the Pacing of your Documentary to Tell your Story Better

editor@videomaker.com (Videomaker Magazine) — Tue, 16 Nov 2010 07:46:00 PST

Though a story may be fresh, driving, and compelling, if it is too linear or too long, you risk losing the interest of your audience, We will show you how to control the timing of your documentary so that it can be both entertaining and interesting.

How to Find the Story in Your Documentary

editor@videomaker.com (Videomaker Magazine) — Mon, 08 Nov 2010 07:39:42 PST

Finding the right angle on a story can be as hard as finding a needle in a haystack. However, knowing your limitations and some factors that affect their potential can help you to find a story angle that is achievable and interesting.

What to Research In Order to Make a Great Documentary

editor@videomaker.com (Videomaker Magazine) — Fri, 29 Oct 2010 15:42:13 PDT

Research is an integral part to making a story deep, credible, and accurate. As such, we will show you both how to form revealing questions and what sources you can use to answer them in an accurate way.

The Different Styles of Documentary Storytelling

editor@videomaker.com (Videomaker Magazine) — Mon, 25 Oct 2010 09:31:14 PDT

There are many ways to tell a story. Whether you are planning to participate in your documentary, motivate people to act on a cause, or merely allow your audience to observe an event unfold, we will show you how your approach can tell a story that will engage your audience.

Structuring your Documentary Story into Shots, Scenes, and Acts

editor@videomaker.com (Videomaker Magazine) — Mon, 04 Oct 2010 10:48:05 PDT

Structure is the spine that gives a documentary organization and meaning. We will help you start off on the right foot by showing you some common ways to make a solid story structure that your audience will want to emotionally invest themselves in.

Interesting Storytelling Techniques for Documentaries

editor@videomaker.com (Videomaker Magazine) — Fri, 03 Sep 2010 10:31:00 PDT

No matter what part you have in a documentary, good storytelling is key as it connects everything together. We will show you how Story Basics work together in order to produce engaging stories.

Get the Perfect Key Using Green Screen Lighting

editor@videomaker.com (Videomaker Magazine) — Wed, 28 Jul 2010 17:07:32 PDT

Tutorial on how to light a green screen with easy to follow step-by-step instructions so you can get the perfect key.

Best Practices for Using a Tripod to Stabilize your Shots.

editor@videomaker.com (Videomaker Magazine) — Wed, 14 Jul 2010 08:10:45 PDT

How to set-up a tripod to capture professional level video. Learn the step-by-step process for setting up and stabilizing your tripod.

Wedding Videography: Offer Production Packages for Wedding Videos

editor@videomaker.com (Videomaker Magazine) — Mon, 14 Jun 2010 08:31:16 PDT

Now that you've shot some great wedding footage, it's time to put it all together. Learn how most videographers compile wedding packages, do multi-cam editing, and make compelling love stories, slideshows, and highlights that capture the emotion of the event.

Wedding Videography: How to Shoot the Reception

editor@videomaker.com (Videomaker Magazine) — Tue, 01 Jun 2010 09:05:10 PDT

The ceremony is done, but the big day isn't over yet. The reception is an important part of the wedding day. We show you how to light the dance floor, use the best techniques for interviewing guests, and find the best b-roll to shoot for a great wedding production.

Wedding Videography: How to Shoot a Marriage Ceremony

editor@videomaker.com (Videomaker Magazine) — Mon, 17 May 2010 10:16:08 PDT

The central moment of the wedding is the ceremony and you don't want to miss a minute of it. This video shows you camera placement, how to do a multi-camera setup, and some shooting techniques that will allow you to capture every moment perfectly.

Capturing Great Audio at Weddings

editor@videomaker.com (Videomaker Magazine) — Fri, 07 May 2010 13:04:43 PDT

You may think that shooting weddings is all about the ceremony, but there is a lot more involved than meets the eye. We will show you how to plan for capturing clean, professional sounding audio, as well as how to mic the ceremony correctly.

Understanding Business Licenses and Legalities for Wedding Videography

editor@videomaker.com (Videomaker Magazine) — Mon, 03 May 2010 10:52:57 PDT

You may think that shooting weddings is all about the ceremony, but there is a lot more involved than meets the eye. We will go over the legalities associated with wedding video production to protect yourself and your client before you shoot their big day.

Wedding Videography: How to Prepare for Shooting the Ceremony

editor@videomaker.com (Videomaker Magazine) — Mon, 19 Apr 2010 13:27:03 PDT

You may thinking that shooting weddings is all about the ceremony, but there is a lot more involved than meets the eye. We will go over meeting with the wedding planner, scouting the location, and several other important aspects of wedding pre ceremony tasks before the big day.

Learn the Science Fiction Genre to Make a Sci Fi Movie

editor@videomaker.com (Videomaker Magazine) — Tue, 30 Mar 2010 17:00:20 PDT

We show you how to create your very own Science Fiction videos. By looking at the history, match lighting, post production green screen work, framing and set extension you will leave with more knowledge of the Sci Fi Genre.

Learn Western Genre Basics to Make Your Own Cowboy Movie

editor@videomaker.com (Videomaker Magazine) — Fri, 19 Mar 2010 13:32:08 PDT

We take a look at the Western Genre. Learn the steps to creating your very own western video as we examine how to shoot it, edit it and stylize it.

Add Drama to Your Video Productions

editor@videomaker.com (Videomaker Magazine) — Wed, 10 Mar 2010 09:57:57 PST

Want to create your very own Drama? We show you how, as we examine how to create a visual design, draw out time and edit for emotion.

Learn how to Electrify Your Action Video

editor@videomaker.com (Videomaker Magazine) — Tue, 02 Mar 2010 10:07:58 PST

We take a look at the Action Genre. Learn the steps to creating your very own action video as we examine how to shoot it, edit it and stylize it.

Make Compelling Documentaries with Lighting and Editing

editor@videomaker.com (Videomaker Magazine) — Wed, 24 Feb 2010 13:11:22 PST

We show you how to make professional looking documentaries. Find out how to shoot, edit and stylize stories that center around real life and real emotion.

Learn Horror Genre Basics to Make Your Own Scary Movie

editor@videomaker.com (Videomaker Magazine) — Thu, 18 Feb 2010 14:59:04 PST

We show you the ins and outs of the Horror film genre. Everything from the history, to how to shoot it, to the unique dark silhouette lighting style. We teach you how to make your own horror film.

4 Simple Steps for Professional Stop Motion Light Painting

editor@videomaker.com (Videomaker Magazine) — Mon, 08 Feb 2010 13:42:54 PST

How to create stop motion animation, using stills with light painting. Learn the step by step process to mastering this special effect.

Special Effects: Day-for-night, Fake Rainstorm, Sped-up Background

editor@videomaker.com (Videomaker Magazine) — Tue, 02 Feb 2010 11:38:52 PST

We show you how to pull off three simple special effects using just the camera and the subject's reaction to sell the illusion. Learn how to make realistic looking rain for your video shoots, speed up the background of your videos and how to shoot during the day and make it look like the night.

Create Star Trek "Beam Me Up" Effect with Overlays, Dissolves

editor@videomaker.com (Videomaker Magazine) — Tue, 26 Jan 2010 08:14:08 PST

We show you how to pull off two basic special effects using cross dissolves, overlays, cropping and layers. Both the Star Trek effect and the Multiplicity effect use these techniques to create very impressive looking tricks for your videos.

Stage a Light Saber Fight a la Star Wars

editor@videomaker.com (Videomaker Magazine) — Tue, 19 Jan 2010 08:31:51 PST

We show you the step-by-step process of how to pull off the Light Saber special effect. Everything from building the Light Saber to Rotoscoping.

Spice Up Titles and Graphics with Ink Spread and Ink Drop Effects

editor@videomaker.com (Videomaker Magazine) — Tue, 12 Jan 2010 08:53:59 PST

How to use everyday household items to create ink drop and ink spread visual design elements for titles and graphics.

How to Make Fake Blood

editor@videomaker.com (Videomaker Magazine) — Mon, 04 Jan 2010 10:52:45 PST

We show you the step-by-step process for creating realistic looking blood with the use of corn syrup, red and blue dye, cocoa powder and corn starch.

Green Screen Setup

editor@videomaker.com (Videomaker Magazine) — Mon, 04 Jan 2010 10:52:45 PST

How to properly set up your green screen backdrop, lighting, and camera. We will go over some common errors and their solutions.

Create Top Special Effects with Outdoor Green Screen

editor@videomaker.com (Videomaker Magazine) — Mon, 21 Dec 2009 13:45:58 PST

How to use a green screen outdoors for chromakey. Learn about the lighting, obstacles and proper usage of the elements outdoors to add to the effect.

4 Steps to Build Your Own Green Screen

editor@videomaker.com (Videomaker Magazine) — Tue, 15 Dec 2009 15:41:12 PST

In this DIY tutorial, we show you how to make your own green screen with frame. Learn how to build the frame, attach the cloth and prep the materials for your own Do-It-Yourself green screen fun!

Using a Full-body Green Screen to Create a Website Spokesperson Effect

editor@videomaker.com (Videomaker Magazine) — Wed, 09 Dec 2009 09:01:34 PST

The steps that you need to follow to be able to create a website video spokesperson walk-on effect.

How to Make Flying Special Effects with Green Screen

editor@videomaker.com (Videomaker Magazine) — Tue, 01 Dec 2009 11:21:54 PST

Learn how to use a green screen to show your subject launch off the ground and fly through the air.

How to Light Green Screens for Simple Special Effects

editor@videomaker.com (Videomaker Magazine) — Mon, 23 Nov 2009 14:33:20 PST

In this tutorial we show you how to light a green screen, look for common errors and fix them along the way. This will make it easier to pull a key when editing.

How to Set Up a Green Screen at Home

editor@videomaker.com (Videomaker Magazine) — Mon, 16 Nov 2009 10:23:34 PST

In this green screen video tutorial, we show you how to set-up a green screen for chromakey and how to best sell the green screen effect to your viewers.

Master your Camera Controls: Focus, White Balance, Iris and More

editor@videomaker.com (Videomaker Magazine) — Fri, 06 Nov 2009 13:19:58 PST

Don't leave important decisions up to your camera! In this video you will learn how to use the camera controls to adjust the white balance, focus, audio and iris.

4 Simple Steps for the Best Video Lighting

editor@videomaker.com (Videomaker Magazine) — Fri, 23 Oct 2009 16:12:47 PDT

How to use indoor lights, natural light, and camera controls to create the best lighting for video production.

Choosing the Best Mic to Capture Great Audio for Your Video

editor@videomaker.com (Videomaker Magazine) — Mon, 19 Oct 2009 08:25:08 PDT

How to capture Audio when shooting video. How to select the best microphone and location for the best audio and solve common problems videographers encounter when capturing audio for video.

Tilts, Pans and Hand Held camera Movement Shooting Tips

editor@videomaker.com (Videomaker Magazine) — Tue, 13 Oct 2009 08:14:21 PDT

This video shows you how to create better, more professional looking video by taking a closer look at hand held video camera shooting. Learn how to get effective shots with the marxist position, the pan, tilt and zolly.

The 5 Deadly Sins of Amateur Video

editor@videomaker.com (Videomaker Magazine) — Mon, 05 Oct 2009 08:32:50 PDT

A look at how to create better, more professional looking video by eliminating the 5 most common amateur mistakes.

Make your Videos Look Professional Using 3 Point Lighting

editor@videomaker.com (Videomaker Magazine) — Fri, 25 Sep 2009 09:24:55 PDT

Step by step tutorial on how to use the 3-point lighting technique to light your videos like the pros.

Outdoor Lighting and Day or Night Lighting Techniques

editor@videomaker.com (Videomaker Magazine) — Fri, 18 Sep 2009 10:01:45 PDT

Solutions to outdoor lighting for video problems encountered on a sunny day. Also the secret to shooting in the middle of the day and making it appear to be the middle of the night.

Rembrandt Lighting, Beauty Lighting and Vital Lighting Setups

editor@videomaker.com (Videomaker Magazine) — Mon, 14 Sep 2009 08:57:58 PDT

A step by step tutorial on how to apply four styles of lighting. Learn how to use Rembrandt beauty, cameo and filling in from the key to add to your videos look and feel.

Best Solutions for Indoor and Silhouette Lighting

editor@videomaker.com (Videomaker Magazine) — Fri, 04 Sep 2009 15:58:00 PDT

How to prevent indoor lighting problems and utilize various specialty lighting setups for your videos.

Best Lighting Arrangements for Great Interviews

editor@videomaker.com (Videomaker Magazine) — Mon, 31 Aug 2009 17:05:15 PDT

Tutorial on how to light and set up a multi-cam interview with easy to follow step-by-step instruction

How to Create Professional Video Lighting with Three Point Lighting

editor@videomaker.com (Videomaker Magazine) — Mon, 17 Aug 2009 18:54:01 PDT

The foundation for all professional studio lighting for video. This tutorial provides step by step instructions on how to light your subject like the pro's with three point lighting.

How to Use Rotoscoping to Create Video Special Effects

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:51:47 PDT

How to fix on-set goofs, change virtual sets, or make your action heroes fly through the air amidst gunfire, snowflakes, or magic dust.

Rotoscoping is one of my favorite things in Visual FX. I know that sounds crazy, but the results of rotoscoping can be so rewarding. Doing the actual work can be tedious, but, when it's all said and done, you can sit back and be proud of your accomplishments.

Read the article Rotoscoping - fix goofs, change virtual sets, or make your hero fly.

Night Light: The Secret to Shooting a Convincing Day-for-night Scene

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:51:47 PDT

The technique of shooting outdoor night scenes in broad daylight has been around since the early days of film. It is commonly called Day for Night (DFN), and you can spot it in films like It's a Wonderful Life, Planet of the Apes and Jaws; documentaries like The Creation of the Universe; and, of course, the French film, Day for Night. At times, the effect is obvious; at others, it is not.

But today's camcorders are able to shoot in very low light. Those with infrared capabilities can even make some subjects visible in pitch black. So why would you want to fake it by shooting in the day to simulate the look of night?

Read the article Night Light: How to turn the light of day into the dark of night.

Best Corporate Video "At the Cross" Tells Church Group Story

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:43:15 PDT

Clint Loveness

Dallas, TX

Prize: Blackmagic Intensity Pro

A local religious group's get-togethers are covered in cinema-verite fashion.

Best Commercial Prize Goes to Jeep Restoration Service Ad

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:43:15 PDT

Christopher Annese

Westfield, NJ

Prize: Pelican 1510 Carry-On Case with Padded Divider

A well-executed ad for a specialty Jeep restoration/modification shop in Paramus, NJ.

Action-packed Energy Drink Ad "Survive" Wins Best Action/Drama

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:43:15 PDT

Joshua Smith

Cloverdale, CA

Prize: Video Guys Gift Certificate

A long-form ad for an energy drink is action-packed and visually remarkable.

Make your Video Look Like Film

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:41:27 PDT

How often do we still hear the term, filming, when everyone really means videotaping? While we easily forgive friends or even clients as they repeat this misnomer, there is a certain underlying expectation that is hard to quantify. Projects shot with film simply look better. In most cases, the look that only film offers is synonymous with quality, large-budget productions.

Read the full article Getting That Film Look.

Use Audio Compressors to Broadcast Quality Sound

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:41:27 PDT

When you listen to any professional broadcast, you hear audio that sounds clear and natural and has, mostly, the same loudness. This type of audio has narration that cuts through music, sound effects and noise. It just sounds impressive. But while tweaking the audio levels on your latest video project, you just don't seem to be able to get that same great sound. What's the secret?

Read the full article The Compression Connection.

How to Create a Professional Motion Menu for a DVD

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:41:27 PDT

The goal of this tutorial is to demonstrate some basic tools in developing a DVD motion menu from scratch. In our example, the motion menu will play back for 30 seconds, and the specifications will be NTSC format, using a 4:3 aspect ratio. For this tutorial, we will be creating a typical "main menu" from a feature-length movie project. The menu itself will display a 30-second clip from our movie, as well as three buttons for navigation. The three buttons will be Play Program, Scene Selection and Bonus Features.

Read the full article DVD Motion Menus.

Create Safe Fire Effects without Burning Down the House!

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:41:27 PDT

I like to use Visual FX to enhance the story I am trying to tell. If they have a purpose, make the shot look better and help tell a story, why not use them, right? The problem is that many people don't know where to start. A few years ago, I was one of those people. However, by learning some Visual FX, I am now gearing up for my next film - a story I've been wanting to tell, but previously could not because I did not have the budget or knowledge of Visual FX. By learning a few Visual FX, I can now tell this story while keeping my budget extremely low. Therein lies the beauty of Visual FX: helping you tell your exciting story while keeping your budget low.

Read the full article Burning Down The House.

Whip-Pans, Object Close-ups and Other Natural Transitions

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:41:27 PDT

In the annals of cinema history, Thomas Edison is considered the father of the first motion picture cameras and his assistant Edwin S. Porter made the first narrative movies with one shot cutting to the next. The idea of match cutting on motion has been around since D.W. Griffith started to advance the editorial arts that began with Porter. Transitions, especially in the form of cross dissolves entered the moviemaking tool kit within a few years.

Read the full article Natural Transitions.

Make an Animated Video from Still Photographs with 2.5d Animation

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:41:27 PDT

The Polar Classic, by Mark Wickman, was the 1st Place winner in Videomaker's 2005 Short Video contest, in which Mark made an animated video, using still photos. We've received many letters asking "how did he DO that?" So we asked him to create a tutorial on just how the process is done. We discovered that the end results actually depend on the beginning... in the planning stage.

Read the full article 2.5d Animation.

These are the media files for the February 2008 Tutorial: 2.5d Animation. The .zip archive contains 12 files and is 172MB in size.

Watch the Polar Classic

Make Dynamic Car Chase Scenes to Enliven your Videos

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:41:27 PDT

These are the media files for the January 2008 Tutorial: Car Chase. The .zip archive contains 60 files and is 312MB in size.

Read the full article Dynamic Chase Scenes.

These clips are used with permission from Sonnyboo Productions, and are for instructional purposes only. All other distribution of this material is prohibited.

Car audio sound effects can be found here: autospeak.com/library.htm

Music Tracks can be found here: www.sonnyboo.com/music/music.htm

Tech Specs:
Video Format: NTSC, DV Anamorphic (16:9)
Audio Format : No Audio

Create Realistic Gunshots for Video

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:41:27 PDT

Stop, or I'll Shoot! Have you ever wanted to have a gun in your film? What about a cool action scene with guns blazing, people running, dishes exploding and your lead female jumping into a garbage chute to avoid being blown to bits? Yes? Me too! But while I can't help you with convincing your lead actress to jump down a garbage chute, I can help you with the blazing guns part.

Read the full article Making Realistic Muzzle Flashes.

Replace any Green Screen Background Using a Chroma Key

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:41:27 PDT

Without a doubt, you see chromakeys used countless times - probably every time you watch the news on TV - and perhaps you aren't even aware of it. Chromakeying is a process widely used throughout the television industry to merge (composite) one image (often a live one) with previously-shot footage or graphics and make it look perfectly natural.

Read the full article The ABCs of Chromakeys.

Create the "Star Wars" Light Saber Effect

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:41:27 PDT

With the immense popularity of the Star Wars franchise, the light sword seems to have become the most recognizable special effect in cinema history. Immense isn't even a strong enough word - light swords have to be the most popular special effect ever created. Men, women and children ages 5 to 105 will be able to tell you what the light sword is and where it's from.

Read the full article The Sword and the Light.

How to Conduct an Interview for Documentaries

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:41:27 PDT

Tom Benford's jib is a quick and easy-to-build device that anyone who knows how to turn a wrench and place a drill can build. Tom's JVC DF550U camcorder is small and lightweight, and he used a ready-made painter's extension pole to achieve his jib design.

Read the full article DYI Jib.

How to Build a Do-It-Yourself Crane for Making Video

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:41:27 PDT

Cranes are usually bigger than jibs, and they can carry not just the camera, but often the crewmembers operating it. Brian Peterson's crane was designed to be robust and hearty, with a potential to upgrade and accessorize at a later date. Brian planned it with the length of his cargo needs and the extreme heights he expects his camera to achieve in mind.

Read the full article DYI Crane.

Pan and Scan Still Photos to Get the Ken Burns Effect

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:41:27 PDT

Known as "The Ken Burns Effect", the Pan and Scan technique has become the norm when combining still photos with your moving images. This tutorial takes you through the steps of the average pan and scan effect, to guide you through the technique that will showcase both video and stills into a fluid moving video.

Pan-and-scan is an effective technique used in photo montages and presentations in order to make the viewing experience more interesting. Techniques such as panning and zooming allow for movement of still images across the video frame. These techniques, when done correctly, are pleasing to the eye and make the video less... well... boring. This tutorial looks at some of these techniques using Adobe After Effects.

Read the article Perfecting the Pan and Scan Effect.

Find the Best Equipment and Set-up for your Video Studio

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:41:27 PDT

Whether you want to build themes and variations for large-scale productions or as signature music for your promotional videos, make catchy music beds for 30-second spots or produce ambient music with subtle mood-fitting changes for wedding videos, the following looping music production tutorial gives you the basic tools to get you started.

Read the article Using Loops to Create Original Music.

Documentary "Totem Poles" Reveals Significance to Native American Totems

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:41:27 PDT

Cathy Prefrement

Sequim, WA

Prize: Pinnacle Studio 12

Marvel in some of the most the beautiful and largest pieces of art ever created as seen in the Pacific Northwest.

Funny Fresno Mayor Campaign AD wins Honorable Mention 2008

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:41:27 PDT

Robert Thissen

Chowchilla, CA

Prize: Pinnacle Studio Plus 12

A funny campaign ad that probably helped Jeff Eben get a few votes in the recent mayor's race in nearby Fresno.

Claymation/ CG "Harry Hill" Wins Best Animation

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:41:27 PDT

Jim Foltice

Walker, MI

Prize: Pinnacle Video Transfer

An interesting blend of computer animation and clay animation gave this entry a unique look.

"Kismet" Wins Best Music Video

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:41:27 PDT

Connor Hair

Kirkland, WA

Prize: Pinnacle Studio Ultimate 12

Your iPod could be the device that introduces you to someone special.

Bicylist Profile "Living Downhill" Wins Best Sports Video

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:41:27 PDT

Joshua Smith

Cloverdale, CA

Prize: Music 2 Hues Acoustic Guitar Collection

Some extreme camera work is icing on this remarkable BMX video.

Best Senior Video: Nature Documentary "Among the Prarie Bells"

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:41:27 PDT

Steven Siegel

Bay Harbor Islands, FL

Prize: Boris FX 9.2

A look at some of the native fauna of the midwest.

Football Video "Between the tackles" Wins Best Young Video

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:41:27 PDT

Jake Torchin

Saint Louis, MO

Prize: Boris Graffiti 5.2

A look at a high school football team gives us a new, unique perspective.

"Invasive Species Monitoring" Explains How to Avoid Spreading Bugs

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:41:27 PDT

Ken Hook

Cloyne, Ontario, Canada

Prize: Sony Vegas Pro 8

A procedure video showing how to sample water, in order to make sure species that do not belong have not been introduced.

Comedy "Hero" Faces the Toilet Paper Bandit

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:41:27 PDT

Brett Sorem

New York, NY

Prize: BeachTek DXA-2s Compact XLR Adapter

Can the protagonist stop the evil toilet paper bandit? Watch and find out!

"Not Another Bollywood Movie" Parody Wins Best Student Video

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:41:27 PDT

Chris Knific

Fort Myers, FL

Prize: Canon HF10 Camcorder

A funny take on some of some of Mumbai's cinematic masterpieces.

Best Documentary Looks at Sinulog Festival in Philippines

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:41:27 PDT

Peter Mancao

Mandaue City, Cebu, Philippines

Prize: Videssence Shooter Kit

A look at the annual Sinulog Festival in Cebu, Philippines.

Surreal Comedy "Sound of War" Shows Life if Fingers were Guns

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:41:27 PDT

Charles Yeager

Jasper, AR

Prize: proDAD Editors Choice Package

If your fingers could really be used as weapons, this video demonstrates how much trouble we'd be in.

"Panic Attack" Video Uses Close-ups to Tell Story

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:41:27 PDT

Carlos Crooks

Elk Grove, CA

Prize: Adobe Production Premium

A fascinating video primarily utilizing close-ups to tell a story.

"Leaving Ground Zero" Documents Photojournalist with 9/11 PST

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:41:27 PDT

Andres Otero

Bronx, NY

Prize: DV Gear DVFlurry EDIUS NX Turnkey Editing System

A documentary-form look at a photojournalist who suffered from post-traumatic stress syndrome following 9/11. This video portrays how he eventually discovered a way to recovery.

"Snap" Drama Captures Mood of Lackluster Economy

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Jul 2009 22:41:27 PDT

Michael Comulada

Fort Worth, TX

Prize: Canon XHA1 Camcorder

A tightly-edited drama that is eerily well-suited for today's lackluster economy.

Camera Shots and Tricks: Deceptive Angles and Zolly Shooting

editor@videomaker.com (Videomaker Magazine) — Fri, 10 Jul 2009 17:57:00 PDT

How to shoot deceptive angles, including the zolly shooting technique and why you should include multiple different angles.

How to Composite Video for Inserting Backgrounds in Sets

editor@videomaker.com (Videomaker Magazine) — Mon, 06 Jul 2009 19:07:00 PDT

Ever wonder how amazing backgrounds are inserted behind characters? This video will show you how to composite video so your characters can seamlessly move in front of these images.

How to Make Your Video Look Like Film

editor@videomaker.com (Videomaker Magazine) — Mon, 29 Jun 2009 15:06:00 PDT

How to give video a film look using 24p.

How to Cut Video Transitions for Action Scenes

editor@videomaker.com (Videomaker Magazine) — Fri, 19 Jun 2009 08:26:52 PDT

How to cut video for edit various types of action scenes.

How to Shoot a Fight Scene

editor@videomaker.com (Videomaker Magazine) — Mon, 15 Jun 2009 15:33:03 PDT

How to use editing, continuity, and camera techniques to create a realistic and dramatic fight scene in your action video.

Make Money with Online Video Sharing Sites

editor@videomaker.com (Videomaker Magazine) — Wed, 03 Jun 2009 16:22:58 PDT

How to make money making videos for on-line revenue sharing sites. Learn how to make money on YouTube, Metacafe, Veoh and Blip TV.

Business Opportunities in Event Videography

editor@videomaker.com (Videomaker Magazine) — Tue, 02 Jun 2009 15:16:29 PDT

There are many opportunities in event videography in addition to wedding videos. Today videographers are getting jobs videotaping theatrical performances, concerts & making memorial videos. Learn how to plan ahead to insure your video includes the best moments.

Make Money With On-Line Video Distribution

editor@videomaker.com (Videomaker Magazine) — Tue, 26 May 2009 17:29:02 PDT

How to use on-demand DVD distribution to make money with video over the Internet.

Tips for How to Win a Video Contest

editor@videomaker.com (Videomaker Magazine) — Mon, 18 May 2009 08:04:45 PDT

Essential guidelines and tips to follow in order to win a video contest.

Making Money With Stock Video Footage

editor@videomaker.com (Videomaker Magazine) — Mon, 11 May 2009 15:24:05 PDT

Learn how to create stock video footage and make money selling it over the Internet on stock photo/video sites.

How to Start a Wedding Video Business

editor@videomaker.com (Videomaker Magazine) — Mon, 04 May 2009 10:52:13 PDT

Key things videographers should consider in order to succeed in the wedding video business.

Flock of Birds in Adobe After Effects

editor@videomaker.com (Videomaker Magazine) — Fri, 01 May 2009 07:00:00 PDT

Rain, fire, even a flock of birds can be easily controlled using particle software features without animating each element.

Read the full article Adobe After Effects Tutorial: A Flock of Particles.

Legal Issues in Documentary: Fair Sue and Copyright

editor@videomaker.com (Videomaker Magazine) — Mon, 27 Apr 2009 14:49:34 PDT

We take a look at what is and isn't allowed to use, when creating your documentary.

Getting Location Access for Documentary Makers

editor@videomaker.com (Videomaker Magazine) — Mon, 20 Apr 2009 15:27:13 PDT

Gaining access to people or places is one of the main challenges documentary makers face when making their movies. These tips should help you find your way.

Documentary Making Tips - Character Development

editor@videomaker.com (Videomaker Magazine) — Mon, 13 Apr 2009 18:57:23 PDT

Documentary making tips on how to develop characters that keep your audience interested in the story.

Story, Character and Access in Documentary Storytelling

editor@videomaker.com (Videomaker Magazine) — Fri, 03 Apr 2009 11:19:51 PDT

Learn about the key ingredients documentary makers use for successful documentary storytelling.

The History of Making Documentaries

editor@videomaker.com (Videomaker Magazine) — Mon, 30 Mar 2009 09:00:00 PDT

The history of making documentaries. Everything from the Lumier Brothers in the late 1800s, to the birth of "Reality TV".

How 3 Types of the Documentary Genre Are Made

editor@videomaker.com (Videomaker Magazine) — Mon, 23 Mar 2009 15:11:07 PDT

Learn about 3 of the more commonly known types of the documentary genre. They include: Observational, Expository and Participatory.

Web Video Compression and Codecs

editor@videomaker.com (Videomaker Magazine) — Mon, 09 Mar 2009 18:36:52 PDT

How to use video compression and choose the right video codec for uploading video to Youtube and other video sharing sites.

Web Cam for Video Sharing Websites, Blogging and Conferencing

editor@videomaker.com (Videomaker Magazine) — Mon, 02 Mar 2009 16:18:25 PST

Best practices for using a webcam for video sharing sites, video conferencing, and video blogging.

History of Online Video and YouTube

editor@videomaker.com (Videomaker Magazine) — Mon, 23 Feb 2009 16:55:33 PST

History of Online Video growth from early video cameras to the evolution of YouTube.

Build an Audience with SEO Video Optimization Strategies

editor@videomaker.com (Videomaker Magazine) — Mon, 16 Feb 2009 10:44:51 PST

Tips on building an online audience through marketing and video optimization.

Select Tripod, Microphone and Camera for Web Video Production.

editor@videomaker.com (Videomaker Magazine) — Mon, 09 Feb 2009 12:30:40 PST

Yes, you can use a web cam to produce a choppy online video with horrible sound, but you're likely to lose credibility in the first few seconds. You can get a big edge over the average video blogger by choosing a good tripod, microphone and camera for the web.

Shoot Online Video for a Small Sharing Screen

editor@videomaker.com (Videomaker Magazine) — Sat, 31 Jan 2009 07:54:32 PST

Learn how to shoot for a small video sharing screen, to create better online videos.

Uploading Video to YouTube, Metacafe and Vimeo

editor@videomaker.com (Videomaker Magazine) — Sat, 24 Jan 2009 07:46:22 PST

Learn the step-by-step video uploading process on three video sharing sites-Youtube, Metacafe & Vimeo.

How To Get The Perfect Greenscreen Key

editor@videomaker.com (Videomaker Magazine) — Sat, 17 Jan 2009 07:09:12 PST

Learn how to get the perfect greenscreen key in Adobe Premiere, Final Cut Pro and Sony Vegas.

How to Tell a Video Story with Green Screen

editor@videomaker.com (Videomaker Magazine) — Fri, 09 Jan 2009 11:04:25 PST

Learn how to apply greenscreen effects to a window, windshield or door. Examine how we planned out our video shoot to utilize a greenscreen to create an outdoor environment consistent with our storyboard.

Video Production Lighting To Create Emotion

editor@videomaker.com (Videomaker Magazine) — Fri, 02 Jan 2009 19:54:00 PST

Learn how use lighting effects to create an emotional impact on the viewer.

Videomaker's Favorite Greenscreen Effects

editor@videomaker.com (Videomaker Magazine) — Tue, 30 Dec 2008 16:45:27 PST

How to enhance your video with greenscreen effects you can use in your studio.

Lighting Car Interiors, Keyside Lighting, Timelapse Lighting

editor@videomaker.com (Videomaker Magazine) — Fri, 19 Dec 2008 12:05:18 PST

Learn some unique lighting techniques to add a professional touch to your video.

Movie Making History of Blue and Green Screen Effects

editor@videomaker.com (Videomaker Magazine) — Fri, 12 Dec 2008 11:21:31 PST

Explore the history of Chroma Key. Everything from blue screen to green screen!

Lighting on a Budget: Cheap Key Lights, Back Lights and More

editor@videomaker.com (Videomaker Magazine) — Fri, 05 Dec 2008 19:02:46 PST

Lighting on a budget. Learn how to substitute expensive video lighting equipment with inexpensive alternatives.

Avoid Chomakey Mistakes when Using Green Screen

editor@videomaker.com (Videomaker Magazine) — Wed, 26 Nov 2008 10:23:48 PST

How to avoid common chomakey mistakes when using a green screen.

Three Point Lighting Forms Basis of Good Lighting Fundamentals

editor@videomaker.com (Videomaker Magazine) — Fri, 21 Nov 2008 11:40:05 PST

Learn the foundation for all good video lighting techniques.

How to Create a Virtual Background with Adobe Ultra

editor@videomaker.com (Videomaker Magazine) — Sat, 15 Nov 2008 06:46:58 PST

How to use a Green Screen and Adobe Ultra to make virtual sets for your videos.

How to get Hit by a Car

editor@videomaker.com (Videomaker Magazine) — Fri, 07 Nov 2008 11:49:31 PST

This shows 2 methods for faking a person being hit by a car. One uses Adobe Photoshop and editing software, requiring time & effort to add realistic detail. The other method uses camera angles to imply the collision.

How to Simulate an Earthquake for Video

editor@videomaker.com (Videomaker Magazine) — Fri, 31 Oct 2008 11:28:05 PDT

Some simple tips on re-creating an earthquake.

How to Add Bullet Holes to Your Videos

editor@videomaker.com (Videomaker Magazine) — Fri, 24 Oct 2008 09:58:31 PDT

How to make realistic bullet effects using Adobe Photoshop and Premiere instead of explosives.

Gun Muzzle Flashes and Blast Sounds

editor@videomaker.com (Videomaker Magazine) — Fri, 17 Oct 2008 18:04:19 PDT

Adding gun muzzle flashes and blast sounds to your shootout scenes is easy to do in post production. Learn how to build intensity using post-production editing techniques.

How to Create Fire

editor@videomaker.com (Videomaker Magazine) — Fri, 10 Oct 2008 18:28:42 PDT

Tutorial on how to create fire using Adobe Premiere and Particle Illusion.

Create a Magic Wand Effect with Video Green Screen Special Effects

editor@videomaker.com (Videomaker Magazine) — Fri, 26 Sep 2008 08:15:15 PDT

Jennifer shows you how to create a magic wand effect using special effects and video green screen background software.

Royalty-Free Sound Effects with Foley

editor@videomaker.com (Videomaker Magazine) — Thu, 28 Aug 2008 00:49:40 PDT

Jennifer shows you how to make sound effects free of royalties and copyright problems.

Natural Wipes for Cleaner Video Transitions

editor@videomaker.com (Videomaker Magazine) — Thu, 14 Aug 2008 06:40:33 PDT

John walks through the Hows, Whys & Whens of effectively using Natural Transitions.

Create a Convincing Green Screen Effect with Chromakey

editor@videomaker.com (Videomaker Magazine) — Mon, 04 Aug 2008 15:04:32 PDT

From start to completion, Charlie walks through the basics of achieving a Green Screen effect.

Control Incoming Audio to your Camcorder and Capture Clean Audio

editor@videomaker.com (Videomaker Magazine) — Fri, 18 Jul 2008 11:18:25 PDT

Charlie demonstrates how to control incoming audio to your camcorder and capture clean sounding audio.

Choosing Best Headphones for Capturing Audio

editor@videomaker.com (Videomaker Magazine) — Mon, 07 Jul 2008 14:07:00 PDT

Jennifer covers many considerations when choosing and using headphones while shooting video.

How to Hide a Lavalier Microphone

editor@videomaker.com (Videomaker Magazine) — Tue, 01 Jul 2008 04:18:21 PDT

John presents a treasure trove of tips on how to conceal a lav microphone on your subject.

Record Quality Sound with a Boom Microphone

editor@videomaker.com (Videomaker Magazine) — Fri, 20 Jun 2008 18:50:47 PDT

Charlie demonstrates techniques for recording quality sound with a boom mic.

Learn How to Properly Use a Wireless Mic

editor@videomaker.com (Videomaker Magazine) — Wed, 11 Jun 2008 00:57:37 PDT

Mark covers the dos & don'ts of using a wireless mic.

Best Tips for Placing a Lavalier Microphone

editor@videomaker.com (Videomaker Magazine) — Fri, 30 May 2008 10:34:08 PDT

Jennifer demonstrates tips for using a Lav Mic.

How to Record Audio Outside the Studio with Field Mixing

editor@videomaker.com (Videomaker Magazine) — Fri, 23 May 2008 09:46:15 PDT

Mark covers the basics of field mixing.

Mic Live Events for Best Audio Capture

editor@videomaker.com (Videomaker Magazine) — Fri, 16 May 2008 09:10:13 PDT

Mark explores the best ways to get good sound while shooting a live event.

How to Record Sound with a Foley

editor@videomaker.com (Videomaker Magazine) — Mon, 12 May 2008 15:09:57 PDT

Mark covers the basics of recording foley sound.

Use Lavalier or Handheld Microphone to Get Good interview Audio

editor@videomaker.com (Videomaker Magazine) — Fri, 02 May 2008 11:50:39 PDT

Jennifer and Mark demonstrate some techniques for getting good sound during an interview.

Capturing Sound Outdoors

editor@videomaker.com (Videomaker Magazine) — Sat, 26 Apr 2008 00:57:52 PDT

Mark covers more tips for capturing sound when shooting outdoors.

Common Video Filters

editor@videomaker.com (Videomaker Magazine) — Sat, 19 Apr 2008 01:38:55 PDT

Charlie discusses lens filters you can use when shooting your footage.

Bags, Cases and Storage to Protect Video Equipment

editor@videomaker.com (Videomaker Magazine) — Tue, 15 Apr 2008 05:42:23 PDT

Jennifer takes a look at bags & cases designed to help protect your video gear.

Three Rules to Shoot Video at Night

editor@videomaker.com (Videomaker Magazine) — Mon, 07 Apr 2008 21:38:48 PDT

Mark explores the basics of lighting for a nighttime shoot.

Macro Videography: The Art of the Extreme Close-Up

editor@videomaker.com (Videomaker Magazine) — Sat, 29 Mar 2008 06:56:35 PDT

John explores the Hows and Whys of shooting Macro Video.

3 Point Lighting

editor@videomaker.com (Videomaker Magazine) — Sat, 22 Mar 2008 11:56:46 PDT

Mark gives a demonstration on 3 Point Lighting at a recent Videomaker Workshop....

Shooting Video from a Moving Vehicle

editor@videomaker.com (Videomaker Magazine) — Fri, 14 Mar 2008 13:38:18 PDT

Jennifer demonstrates the different ways to shoot video from a moving vehicle.

Shooting Using Angles

editor@videomaker.com (Videomaker Magazine) — Sat, 01 Mar 2008 07:07:16 PST

Jennifer and Andrew demonstrate two shooting tricks using angles. (Repeat)

Common Errors in Continuity Editing

editor@videomaker.com (Videomaker Magazine) — Fri, 22 Feb 2008 12:13:16 PST

Jennifer discusses things to watch out for in the Preproduction, Shooting & Post-Production stages to avoid common continuity errors. (Repeat)

Record your own Sound Effects for Video

editor@videomaker.com (Videomaker Magazine) — Fri, 15 Feb 2008 19:53:12 PST

How to capture sound effects to enhance your videos.

Sped-Up Background Effect for Video

editor@videomaker.com (Videomaker Magazine) — Tue, 12 Feb 2008 10:17:58 PST

John demonstrates how to evoke "calm in a chaotic world" with this easy effect.

Shooting Better Hand-Held Footage

editor@videomaker.com (Videomaker Magazine) — Fri, 01 Feb 2008 12:31:17 PST

Jennifer gives Melissa, a beginning videographer, some pointers on shooting better hand-held footage.

"Get Out and play" PSA Wins Best Student Video

editor@videomaker.com (Videomaker Magazine) — Fri, 01 Feb 2008 08:00:59 PST

Kevin Longa, Burlingame, CA
Camcorder: Sony HDR-FX1
Editing Software: Apple iMovie
Prize: Pinnacle Studio MovieBox Plus

"Speed the Light in Davao" Wins Best Spiritual Video

editor@videomaker.com (Videomaker Magazine) — Fri, 01 Feb 2008 08:00:58 PST

Wade Bearden, Spring, TX
Camcorder: Sony HVR-Z1U
Editing Software: Adobe Premiere Pro 1.5
Prize: Pinnacle Mobile Media Converter

"The Art of BMX" Wins Best Sports Video

editor@videomaker.com (Videomaker Magazine) — Fri, 01 Feb 2008 08:00:57 PST

Brian Dickman, Fort Jennings, OH
Camcorder: Panasonic AG-DVX100A
Editing Software: Adobe Premiere Pro
Prize: Prize: Glidecam 4000 Pro

Executive Desperate for Phone in Comedy Winner "Last Call"

editor@videomaker.com (Videomaker Magazine) — Fri, 01 Feb 2008 08:00:56 PST

Michael Comulada, Fort Worth, TX
Camcorder: Sony DCR-TRV730
Editing Software: Adobe Premiere Pro
Prize: Pinnacle Studio 11

"Wonder Water" Wins Best Senior Video 2007

editor@videomaker.com (Videomaker Magazine) — Fri, 01 Feb 2008 08:00:55 PST

Sam Tumminello, Huntsville, AL
Camcorder: Sony DCR-TRV730
Editing Software: Magix Movie Edit Pro 11
Prize: Hitachi DZHS300A DVD Camcorder

"My Second Song" Wins 2007 Best Avant Garde Video

editor@videomaker.com (Videomaker Magazine) — Fri, 01 Feb 2008 08:00:54 PST

Nathan Notermann, Minneapolis, MN
Camcorder: Samsung SC-D365
Editing Software: Apple Final Cut Pro
Prize: RiDATA DVD+R DL and 1GB SD card

"Distance" Wins 2007 Best Young Video

editor@videomaker.com (Videomaker Magazine) — Fri, 01 Feb 2008 08:00:53 PST

Aaron Hughes, Caledonia, ON, Canada
Camcorder: Canon GL2
Editing Software: Apple Final Cut Pro
Prize: Hitachi DZHS300A DVD Camcorder

Animated "Breakfast Samurai" Fights Breakfast Enemies

editor@videomaker.com (Videomaker Magazine) — Fri, 01 Feb 2008 08:00:52 PST

Created by Wright Rickman, Produced by Chris Davidson; Ithaca, NY
Animation Software: Adobe Flash
Prize: Pinnacle Studio Ultimate 11

"Happy Up!" Wins Best Music Video Prize

editor@videomaker.com (Videomaker Magazine) — Fri, 01 Feb 2008 08:00:51 PST

Samuel Henegar, Piney Flats, TN
Camcorder: Canon XL2
Prize: Grass Valley Edius 4

Dystopian Sci Fi "February 8th" Takes Home 2007 Best Drama Prize

editor@videomaker.com (Videomaker Magazine) — Fri, 01 Feb 2008 08:00:50 PST

Perham Dixon, Houston, TX
Camcorder: Panasonic AG-HVX200
Editing Software: Adobe Premiere Pro CS3
Prize: Photoflex Starlite Octodome NXT Location Kit

Best 2007 Documentary Explores Half Dome in Yosemite

editor@videomaker.com (Videomaker Magazine) — Fri, 01 Feb 2008 08:00:49 PST

Steve Crutchfield, Oakhurst, CA
Camcorder: Sony DCR-TRV730
Editing Software: Apple Final Cut Pro 3
Prize: Blackmagic Design Intensity Pro HDMI capture/output card

"Join or Start a Dragon Boat Team" Wins Best Corporate Video Prize

editor@videomaker.com (Videomaker Magazine) — Fri, 01 Feb 2008 08:00:48 PST

Jean-Pierre Serra, Montreal, QC, Canada
Camcorder: Panasonic AG-HVX200
Editing Software: Avid Xpress Pro
Prize: TriLab Build Your Own Digital Hotcakes Library

2007 Best Educational Video - SCC Tips and Tricks Online #3

editor@videomaker.com (Videomaker Magazine) — Fri, 01 Feb 2008 08:00:47 PST

Don Curo, La Habra, CA
Camcorder: Canon GL2
Editing Software: Sony Vegas 6
Prize: SmartSound Sonicfire Pro 4.5

Merlot Restaurant Commercial Wins 2007 Contest

editor@videomaker.com (Videomaker Magazine) — Fri, 01 Feb 2008 08:00:46 PST

Tyson Wheeler Persall, Alpharetta, GA
Camera: Canon 20D
Editing Software: Adobe Premiere Pro 2
Prize: proDAD software bundle

Contest Alumni Wows with a Great Bridal Video Montage

editor@videomaker.com (Videomaker Magazine) — Fri, 01 Feb 2008 08:00:45 PST

Danny Sayson, Richmond, BC, Canada
Camcorder: Sony DSR-PD150
Editing Software: Adobe Premiere Pro 2.0
Prize: JVC Everio GZ-HD7 camcorder

Contest alumni Danny Sayson wows us again with a great bridal video montage.

Trick or Treater Discovers Halloween Truth in Video "Dessert"

editor@videomaker.com (Videomaker Magazine) — Fri, 01 Feb 2008 08:00:44 PST

Brian Johnson, Redmond, OR
Camcorder: Canon XL2, GL2
Editing Software: Apple Final Cut Pro
Prize: Sony Media Software bundle

An unassuming and fearless trick-or-treater proves that the old woman behind the door is nothing to worry about... or is she?

First Prize Winner "Trepidation" Video Looks at Haunted Houses

editor@videomaker.com (Videomaker Magazine) — Fri, 01 Feb 2008 08:00:43 PST

Eric Spink, Bronx, NY
Camcorder: Panasonic AG-DVC30
Editing Software: Apple Final Cut Pro
Prize: Varizoom MC100 Package

A fun look at haunted houses with some great effect choices and music, along with plenty of choice behind-the-scenes footage.

"Electro-Magnetic Flight and You" Wins Top Video Prize

editor@videomaker.com (Videomaker Magazine) — Fri, 01 Feb 2008 08:00:42 PST

Angus Lyne, Downey, CA
Camcorder: Sony DCR-VX2100
Editing Software: Adobe Premiere
Prize: Sony HDR-FX7 HDV camcorder, LCS-VCB soft carrying case, VCL-HG0862 wide conversion lens

This take on World War II-era training/propaganda films, with its treatment of the fictional "Gravity Corps," is clever and features well-executed flying-saucer effects.

Have an Out-of-Body Experience with Ghostly Special Effects

editor@videomaker.com (Videomaker Magazine) — Fri, 25 Jan 2008 11:26:45 PST

Today John demonstrates an easy way of creating an out-of-body special effect.

How to Use the Weather to Set the Mood in Your Video

editor@videomaker.com (Videomaker Magazine) — Tue, 22 Jan 2008 21:39:24 PST

This week Brandon explores how to use weather to effect the mood of your video.

Video Shooting in Rain Storms and Extreme Weather

editor@videomaker.com (Videomaker Magazine) — Fri, 11 Jan 2008 23:59:47 PST

This week Brandon demonstrates some tips about surviving and filming a natural disaster or extreme weather event. Last Friday Chico was struck by the storm of the decade that had some devastating consequences, some of the storm and aftermath were captured on video and used as examples for this vidcast.

Special Effects for Visual Dynamics

editor@videomaker.com (Videomaker Magazine) — Wed, 09 Jan 2008 05:04:50 PST

This week Brandon demonstrates how to perform a few special effects that can improve the visual dynamics of your videos.

White Balance for Shooting in Snow

editor@videomaker.com (Videomaker Magazine) — Sat, 29 Dec 2007 01:55:31 PST

This week Brandon goes into the wilderness to demonstrate techniques for shooting video in the snow. What situations to avoid, and what situations provide ideal opportunities for shooting great looking winter videos.

How to Perform and Record Live Foley Sound Effects

editor@videomaker.com (Videomaker Magazine) — Sat, 22 Dec 2007 01:16:16 PST

This week Brandon, Joseph and Jennifer demonstrate how to perform and record Foley sound effects, which will improve the sound(s) in your videos.

Record Music Live w/your Computer for a Video Soundtrack

editor@videomaker.com (Videomaker Magazine) — Sat, 15 Dec 2007 02:12:14 PST

This week Brandon gives a live demonstration on recording an instrument directly into a computer's music creation software, and then create your own soundtrack.

Chromakey in Adobe Premiere and Final Cut Pro

editor@videomaker.com (Videomaker Magazine) — Wed, 12 Dec 2007 01:30:01 PST

In this week's episode, Brandon gives a step-by-step tutorial on how to use the Chroma Key effect in Premiere pro and Final Cut Pro.

Capturing Sunrise andSunset on Video

editor@videomaker.com (Videomaker Magazine) — Sat, 01 Dec 2007 07:00:58 PST

This week Brandon talks about ways to capture a great sunrise or sunset on video. He demonstrates this technique using footage he shot on a recent trip to the Southwest.

How to Make Fake Blood

editor@videomaker.com (Videomaker Magazine) — Mon, 26 Nov 2007 21:00:00 PST

In this week's episode, Brandon Pinard will show you a cheap and easy way to create a fake blood special effect.

Pick up Natural Ambient Noises from the Environment

editor@videomaker.com (Videomaker Magazine) — Sat, 17 Nov 2007 07:52:41 PST

This week Brandon discusses the audio technique "capturing Ambient Noise". He describes how to do it and why it can improve your video's overall sense of depth and appeal.

Time Remapping Lets You Speed Up, Slow Down Time

editor@videomaker.com (Videomaker Magazine) — Sat, 10 Nov 2007 01:16:35 PST

Brandon Pinard gives some tips about how and when to use time remapping in your productions.

How to Record a Voice Over Audio Track

editor@videomaker.com (Videomaker Magazine) — Sat, 03 Nov 2007 06:31:23 PDT

In this special Halloween edition of Videomaker Presents, Brandon explains how to record a voice over audio track. Using voice over is very common in film and television, and applying this technique will greatly improve the overall quality of your videos.

Create Shadows Effects Using Props and Patterns

editor@videomaker.com (Videomaker Magazine) — Fri, 26 Oct 2007 09:48:59 PDT

How to create special effects with shadows using props & patterns.

Create Pans and Titles Using Stills in Adobe Premiere

editor@videomaker.com (Videomaker Magazine) — Sat, 20 Oct 2007 01:00:51 PDT

How to create pans & titles when using stills in Adobe Premiere.

Shooting Nature and Landscapes

editor@videomaker.com (Videomaker Magazine) — Sat, 13 Oct 2007 06:00:34 PDT

In this weeks episode of John talks about some techniques that are used to capture vast landscapes...in a small frame. John goes over the basics of how to capture different areas of the landscape, sky, and foreground in order to have a variety of shots to use in post production.

Examples of Natural Wipes for In Camera Transitions

editor@videomaker.com (Videomaker Magazine) — Tue, 09 Oct 2007 00:10:37 PDT

In this week's , Jennifer talks about the technique known as "Natural Wipes". She gives several examples of these types of "in camera" transitions and how they can be used to create better videos.

Cut on the Action to Create Smooth Transitions

editor@videomaker.com (Videomaker Magazine) — Sat, 29 Sep 2007 02:20:10 PDT

This week Brandon explains in-depth the technique known as cutting on the action. Brandon explains this technique by highlighting examples of clips that are cut on the action, and by narrating over a sequence that he filmed which is designed to demonstrate how cutting on the action creates a visually seamless entertaining film sequence.

Common Video Transitions: Cut, Fade, and Dissolve

editor@videomaker.com (Videomaker Magazine) — Fri, 21 Sep 2007 11:14:44 PDT

This week Brandon discusses the most commonly used transitions in television and film: the Cut, the fade and the dissolve. He will cover the basic definition of each of the three transitions, how they are most commonly used in the film and television industries, and how anyone can improve their own videos with the proper understanding of how these transitions are used to visually enhance a movie or video.

Avoid Confusing Audience by Following Line of Action Rule

editor@videomaker.com (Videomaker Magazine) — Sat, 15 Sep 2007 01:19:25 PDT

Learn how to use a simple rule to always keep your subjects looking in the right direction."

Create Live Action Animation Effects with Rotoscoping

editor@videomaker.com (Videomaker Magazine) — Tue, 11 Sep 2007 06:12:03 PDT

Learn the post production element of rotoscoping & creating live action animation special effects.

Capture Live Action to Video Animation Special Effects

editor@videomaker.com (Videomaker Magazine) — Fri, 31 Aug 2007 11:16:56 PDT

How to create live action to video capture animation special effects.

Color Correction Techniques in Adobe CS2

editor@videomaker.com (Videomaker Magazine) — Wed, 22 Aug 2007 20:44:49 PDT

How to use Color Correction techniques in Adobe CS2 to create professional looking video.

Video Equipment to Change Depth of Field

editor@videomaker.com (Videomaker Magazine) — Sat, 04 Aug 2007 04:30:26 PDT

John explains how to use depth of field to your advantage.

Avid's Media Composer 2.7

editor@videomaker.com (Videomaker Magazine) — Fri, 20 Jul 2007 23:18:15 PDT

John takes a "first look" inside Avid's very powerful Media Composer 2.7 software.

Review of Net Sharing Camcorder and Channel Mixer

editor@videomaker.com (Videomaker Magazine) — Fri, 20 Jul 2007 23:18:15 PDT

Mark discusses Sony's NSC-DCI Netsharing cam, Samsung's SC-DX10 hybrid camcorder, JVC's GZ-HD3 camcorder and Azden's FMX-32 Channel Field Mixer. Derek talks about Miro.com and Crackle.com.

Make Lower Thirds and Bugs for Corporate Videos

editor@videomaker.com (Videomaker Magazine) — Fri, 20 Jul 2007 23:18:15 PDT

John introduces us to tips from our DVD series, with a look at style, types making effective lower thirds and bugs; including good Style and animation techniques..

"Boulevards" is Music Video Contest Finalist

editor@videomaker.com (Videomaker Magazine) — Fri, 20 Jul 2007 23:18:15 PDT

Charlie and Jennifer show you one of our Music Video contest finalists: "Boulevards", by Dixie Dirt.

Manfrotto's Tripod Factory in Italy

editor@videomaker.com (Videomaker Magazine) — Sat, 14 Jul 2007 04:10:00 PDT

In our "Hands On" segment, Videomaker goes abroad as Mark takes a peek inside Manfrotto's Tripod Factory in Italy.

DVD Navigation and Linkage

editor@videomaker.com (Videomaker Magazine) — Sat, 14 Jul 2007 04:10:00 PDT

John introduces us to some DVD "Navigation & Linkage" tips.

Video Recreates Classic Saturday Night Live Skit

editor@videomaker.com (Videomaker Magazine) — Sat, 14 Jul 2007 04:10:00 PDT

Charlie and Jennifer show us "Lettuce" by Cary Smith, an homage to a Saturday Night Live sketch.

Vegas Movie Studio, Newtek's Speededit, Dailymotion and Flock

editor@videomaker.com (Videomaker Magazine) — Sat, 14 Jul 2007 04:10:00 PDT

Mark discusses Sony Vegas Movie Studio, and Newtek's Speededit. Derek talks about Dailymotion and Flock.

Review of JVC All-In-One Media Center

editor@videomaker.com (Videomaker Magazine) — Fri, 06 Jul 2007 08:51:15 PDT

Mark looks at JVC's "all-in-one media center," a record and playback deck designed to capture, transfer and archive data.

Examples of Effective Public Service Announcements

editor@videomaker.com (Videomaker Magazine) — Fri, 06 Jul 2007 08:51:15 PDT

Jennifer and Charlie have two distinct examples of how to get your PSA message across with "Laundry Line" by Tricia Hoffman and "Georgia Gas" by Ben Rawnsley.

Guide to Different Microphones

editor@videomaker.com (Videomaker Magazine) — Fri, 06 Jul 2007 08:51:15 PDT

John shows us different types of mics to determine which is best for your needs.

Adobe CS3, Final Cut Pro, Feedburner, E.U. on YouTube

editor@videomaker.com (Videomaker Magazine) — Fri, 06 Jul 2007 08:51:15 PDT

Mark discusses Adobe CS3, Apple Final Cut Pro, and Movavi. Derek talks about FeedBurner, E.U. on YouTube, It's-All-In-Your-Hands and Pier Screenings.

"Trucklight" is Good Example of Corporate Video

editor@videomaker.com (Videomaker Magazine) — Fri, 29 Jun 2007 18:42:46 PDT

In this week's "Take 20", Jennifer and Charlie review a nice example of a well-produced corporate video called: "Truck light" by Steven Kehl.

Review of Matthews M25 Tripod

editor@videomaker.com (Videomaker Magazine) — Fri, 29 Jun 2007 18:42:46 PDT

In our "Hands On" segment, Andrew shows us some features to an affordable tripod, the M25 by Matthews.

Advanced Video Compositing Tips

editor@videomaker.com (Videomaker Magazine) — Fri, 29 Jun 2007 18:42:46 PDT

In our Video Bits & Bytes segment, Mark discusses Digieffects and some interesting information from CEA. Derek talks about Apple's iPhone, Adobe Visual Communicator 3, Jaman.com, Vodpod and Fablevision.

In our segment, John is back with some more Advanced Editing tips.

In this week's "Take 20", Jennifer and Charlie review a nice example of a well-produced corporate video called: "Truck light" by Steven Kehl.

In our "Hands On" segment, Andrew shows us some features to an affordable tripod, the M25 by Matthews.

Digieffects, Apple iPhone, Adobe Visual Communicator 3

editor@videomaker.com (Videomaker Magazine) — Fri, 29 Jun 2007 18:42:46 PDT

Mark discusses Digieffects and some interesting information from CEA. Derek talks about Apple's iPhone, Adobe Visual Communicator 3, Jaman.com, Vodpod and Fablevision.

Sanyo's X-acts E-1 Waterproof Camcorder

editor@videomaker.com (Videomaker Magazine) — Fri, 22 Jun 2007 15:18:12 PDT

In our Video Bits & Bytes segment, Mark discusses Blockbuster embracing BluRay. Derek talks about Pier Screenings, YouTube Remixer and Brightcove.

In our segment, John introduces some tips on editing for continuity.

In this week's "Take 20", Jennifer and Charlie review "Resonance" by Craig Givens.

In our "Hands On" segment, just in time for the summertime fun, Mark take a look at Sanyo's X-acti E-1 waterproof camcorder which is submersible up to 5 feet of water for up to 60 minutes.

"Resonance" is Avant Garde Winner for 2006 Video Contest

editor@videomaker.com (Videomaker Magazine) — Fri, 22 Jun 2007 15:18:12 PDT

In this week's "Take 20", Jennifer and Charlie review "Resonance" by Craig Givens.

Editing For Continuity

editor@videomaker.com (Videomaker Magazine) — Fri, 22 Jun 2007 15:18:12 PDT

In our Tips & Tricks segment, John introduces some tips on editing for continuity.

BluRay, Pier Screenings, YouTube Remixer , Brightcove

editor@videomaker.com (Videomaker Magazine) — Fri, 22 Jun 2007 15:18:12 PDT

Mark discusses Blockbuster embracing BluRay. Derek talks about Pier Screenings, YouTube Remixer and Brightcove.

New Tech from Apple, Tips on Interior Lighting

editor@videomaker.com (Videomaker Magazine) — Sat, 16 Jun 2007 05:30:31 PDT

In our Video Bits & Bytes segment, Mark discusses Western Digital, Sonic Studio and Ulead VideoStudio 11. Derek explores Safari 3, Pier Screenings, iPhone, MTV's Video Remixer, and PhotoBucket.

In our segment, John introduces some tips on interior lighting.

In this week's "Take 20", Jennifer and Charlie review "Lasagna" by Margaret Baxter.

In our "Hands On" segment, Charlie takes a hands-on look at Apple's newest Mac Pro.

Music Video Pays Tribute to Favorite Lasagna Dish

editor@videomaker.com (Videomaker Magazine) — Sat, 16 Jun 2007 05:30:31 PDT

In this week's "Take 20", Jennifer and Charlie review "Lasagna" by Margaret Baxter.

Use Available and Artificial Light for Interior Lighting

editor@videomaker.com (Videomaker Magazine) — Sat, 16 Jun 2007 05:30:31 PDT

In our Tips & Tricks segment, John introduces some tips on interior lighting.

Safari 3, Pier Screenings, iPhone, MTV's Video Remixer

editor@videomaker.com (Videomaker Magazine) — Sat, 16 Jun 2007 05:30:31 PDT

Mark discusses Western Digital, Sonic Studio and Ulead VideoStudio 11. Derek explores Safari 3, Pier Screenings, iPhone, MTV's Video Remixer, and PhotoBucket.

"Living Stone Village" Documentary about Abandoned Children

editor@videomaker.com (Videomaker Magazine) — Sat, 09 Jun 2007 05:30:34 PDT

In this week's "Take 20", Jennifer and Charlie review "Living Stone Village" by Andrew Lamb.

Final Cut Studio 2: Final Cut Pro 6

editor@videomaker.com (Videomaker Magazine) — Sat, 09 Jun 2007 05:30:34 PDT

In our "Hands On" segment, John takes a hands-on look at Apple's Final Cut Pro, version 6.

Crane Shot, Reverse Shot and Other Hand-Held Shooting Tricks

editor@videomaker.com (Videomaker Magazine) — Sat, 09 Jun 2007 05:30:34 PDT

In our Tips & Tricks segment, Jennifer is back with more hand-held shooting tricks for camera movement.

FCC Ruling Regarding Profanity on Broadcast TV

editor@videomaker.com (Videomaker Magazine) — Sat, 09 Jun 2007 05:30:34 PDT

In our Video Bits & Bytes segment, John discusses the FCC ruling regarding profanity on broadcast TV. He also talks about the new Apple laptops. Derek explores Shycast.com, veodia.com and YouTube.

Video "The Duel" Takes Unique Twist on Western Genre

editor@videomaker.com (Videomaker Magazine) — Sat, 02 Jun 2007 04:30:00 PDT

In this week's "Take 20", Jennifer and Charlie review "The Duel" by James Miller.

How to Use the MuVee AutoProducer 6 Video Camera

editor@videomaker.com (Videomaker Magazine) — Sat, 02 Jun 2007 04:30:00 PDT

In our "Hands On" segment, Mark shows us around Muvee AutoProducer 6.

Matthews M25 tripod and Black Magic Designs Intensity Pro

editor@videomaker.com (Videomaker Magazine) — Sat, 02 Jun 2007 04:30:00 PDT

In our Video Bits & Bytes segment, Mark discusses Matthews M25 tripod and Black Magic Designs Intensity Pro. Derek talks about icaught.com and flektor.com.

In our segment, Andrew and Mark focus on lighting for Chroma Keying.

In this week's "Take 20", Jennifer and Charlie review "The Duel" by James Miller.

In our "Hands On" segment, Mark shows us around Muvee AutoProducer 6.

Lighting Green Screen Background for Chromakey

editor@videomaker.com (Videomaker Magazine) — Sat, 02 Jun 2007 04:30:00 PDT

In our Tips & Tricks segment, Andrew and Mark focus on lighting for Chroma Keying.

Pelican 1560 Hard Case

editor@videomaker.com (Videomaker Magazine) — Fri, 25 May 2007 16:25:31 PDT

In our "Hands On" segment, Andrew gets tough with the Pelican 1560 Hard Case.

Creepy "Untitled" Demonstrates Computer Animation Techniques

editor@videomaker.com (Videomaker Magazine) — Fri, 25 May 2007 16:25:31 PDT

In this week's "Take 20", Charlie and Jennifer view "Untitled," an animated short by Rodrigo Albarron.

Sanyo's New Underwater Camcorder

editor@videomaker.com (Videomaker Magazine) — Fri, 25 May 2007 16:25:31 PDT

In our Video Bits & Bytes segment, John discusses Final Cut Studio 2 and Sanyo's new underwater camcorder. Derek talks about YouTube channels and Photobucket.

Record Sound Effects On Location

editor@videomaker.com (Videomaker Magazine) — Fri, 25 May 2007 16:25:31 PDT

In our Tips & Tricks segment, John shows how to record sound effects on location.

Get a Show onto Current TV

editor@videomaker.com (Videomaker Magazine) — Sat, 19 May 2007 04:30:18 PDT

In our Tips & Tricks segment, Jennifer interviews documentary filmmakers Andrew Burke and Morgan Paar about how to get a show onto Current TV.

Sports Video "Her Eyes on the Goal"

editor@videomaker.com (Videomaker Magazine) — Sat, 19 May 2007 04:30:18 PDT

In this week's "Take 20", Charlie and Jennifer view "Her Eyes on the Goal" a sports video by Jeff Hillman.

Use Matrox MXO for Monitoring Solutions

editor@videomaker.com (Videomaker Magazine) — Sat, 19 May 2007 04:30:18 PDT

In our "Hands On" segment, John explores Matrox's MXO.

Smartsound Collaboration with Sony Creative Software

editor@videomaker.com (Videomaker Magazine) — Sat, 19 May 2007 04:30:18 PDT

In our Video Bits & Bytes segment, Mark points out the Smartsound collaboration with Sony Creative Software. Derek talks about the US military's decision to block MySpace and YouTube. He also examines vpod.tv.

Shoot Underwater Video on the Cheap

editor@videomaker.com (Videomaker Magazine) — Sat, 12 May 2007 01:00:57 PDT

In our Tips & Tricks segment, Jennifer and Andrew goes pool-side with a couple tricks to shooting underwater video without breaking the bank for expensive housing.

"Can't We Go Back" Music Video is Excellent Chromakey Example

editor@videomaker.com (Videomaker Magazine) — Sat, 12 May 2007 01:00:57 PDT

In this week's "Take 20", Charlie and Andrew view a music video by the band "Jackalope" produced by Scott Freiheit called "Can't We Go Back," an excellent example of chromakeying with some interesting effects.

Common Visual Effects for Shooting Video with Tiffen Dfx

editor@videomaker.com (Videomaker Magazine) — Sat, 12 May 2007 01:00:57 PDT

In our "Hands On" segment, Mark shows how videographers can use the trial version of Tiffen Dfx ... a multitude of common visual effects for both shooting video and post production.

Canon's New HR10 Camcorder

editor@videomaker.com (Videomaker Magazine) — Sat, 12 May 2007 01:00:57 PDT

In our Video Bits & Bytes segment, Mark has more HVCHD news regarding Canon's new HR10 camcorder. Derek talks about Joost and sutree.com, a video community growing around the idea of sharing knowledge.

How to Make Interviews Interesting with Single Camera Set-Up

editor@videomaker.com (Videomaker Magazine) — Sat, 05 May 2007 01:21:21 PDT

In our Tips & Tricks segment, Jennifer demonstrates a couple quick interviewing tips.

Critique of Travel Video "Greek Temple in Taormina"

editor@videomaker.com (Videomaker Magazine) — Sat, 05 May 2007 01:21:21 PDT

In this week's "Take 20", Charlie and John give some constructive tips to a producer of travel videos after viewing "Greek Temple in Taormina."

Eight-core Workstation, Alienware MJ12-8550i

editor@videomaker.com (Videomaker Magazine) — Sat, 05 May 2007 01:21:21 PDT

In our "Hands On" segment, Charlie looks at the eight-core workstation, Alienware MJ12-8550i.

On-Location Video of Videomaker's Los Angeles Summit

editor@videomaker.com (Videomaker Magazine) — Sat, 05 May 2007 01:21:21 PDT

In our Video Bits & Bytes segment, Mark has news on the New AVCHD Camcorders from Sony and New AVCHD editing support from Sony Vegas. He also brings you news from Pinnacle Studio 11 and Ulead MovieStudio 11. Derek talks about viddyou.com and 5min.com, a 5-minute how-to video community for sharing your skills with the viewing audience. Also, a quick "On Location" video review from our recent Los Angeles Summit.

Everio GY-HD 7

editor@videomaker.com (Videomaker Magazine) — Fri, 27 Apr 2007 18:35:54 PDT

In our "Hands On" segment, Mark looks at JVC's Everio GY-HD 7 and Share Station.

Final Cut's New Releases

editor@videomaker.com (Videomaker Magazine) — Fri, 27 Apr 2007 18:35:54 PDT

In our Video Bits & Bytes segment, Mark has news on Final Cut's new releases, and some camera support gear from U-grip and Kata. Derek is watching a couple beta video sharing sites: joost.com and on-networks, featuring many on-line shows.

Recording Voice Audio Tracks

editor@videomaker.com (Videomaker Magazine) — Fri, 27 Apr 2007 18:35:54 PDT

Jennifer has a couple quick guerilla audio tips for recording voice tracks.

Critter Corner Shows How to Bring Animals to Public Access TV

editor@videomaker.com (Videomaker Magazine) — Fri, 27 Apr 2007 18:35:54 PDT

In this week's "Take 20", John and Charlie show you an excerpt from a Public Access Cable show about animal adoption called "Critter Corner."

Everio GZ-MG555 Camcorder Review

editor@videomaker.com (Videomaker Magazine) — Sat, 21 Apr 2007 00:30:07 PDT

In our "Hands On" segment, Charlie takes us on a quick tour of the JVC Everio GZ-MG555 camcorder, which includes a 30GB hard drive and a dock connection that allows for quick connection to a computer or television.

Change Shot Perspective to Change your Video's Mood

editor@videomaker.com (Videomaker Magazine) — Sat, 21 Apr 2007 00:30:07 PDT

Jennifer shows us how taking the camera from eye level to a low or higher level can change the perspective of a shot and enhance the emotional mood of your scene.

"The Crawfish Hunter" Show How to Get Kids Involved in Video

editor@videomaker.com (Videomaker Magazine) — Sat, 21 Apr 2007 00:30:07 PDT

In this week's "Take 20", Charlie and Jennifer show us "The Crawfish Hunter", by John Westerlund. This video demonstrates a sweet example of how to get the kids into the act, and it's edited tightly with the perfect length to share with friends.

Videomaker Presents

editor@videomaker.com (Videomaker Magazine) — Sat, 21 Apr 2007 00:30:07 PDT

This week's "Videomaker Presents" goes outdoors... Our studio is in the state of upheaval due to packing for our upcoming Summit in Los Angeles, so we set up a "remote" studio on the patio of VMHQ. Meanwhile, John and Mark were in Las Vegas covering NAB, the National Broadcasters show, and Mark brings us a brief report fresh from the show for our news segment of Video Bits & Bytes

Avoid Continuity Errors

editor@videomaker.com (Videomaker Magazine) — Sat, 14 Apr 2007 06:30:00 PDT

Jennifer shows how to avoid continuity errors in your production.

Corporate Video "Stewy's Skate Park" Honors Late Skater

editor@videomaker.com (Videomaker Magazine) — Sat, 14 Apr 2007 06:30:00 PDT

In this week's "Take 20", John and Charlie continue showing us winners from our 2006 short video contest with "Stewy's Skate Park", our Best Corporate Video...This is a slick, catchy and well produced look at a skate park built in honor of a young man killed while skating on a public roadway.

Review of Manfrotto HDV 501 Tripod

editor@videomaker.com (Videomaker Magazine) — Sat, 14 Apr 2007 06:30:00 PDT

In our "Hands On" segment, Mark has Bogen's newest Manfrotto HDV 501 tripod, designed with the larger HD camcorders in mind.

Gateway's FX530 Review

editor@videomaker.com (Videomaker Magazine) — Sat, 07 Apr 2007 01:00:50 PDT

In our "Hands On" segment, Charlie looks at Gateway's FX530.

Video Blogging Week

editor@videomaker.com (Videomaker Magazine) — Sat, 07 Apr 2007 01:00:50 PDT

In our Video Bits & Bytes segment, Derek and Mark celebrate Video Blogging Week and take a look at mefeedia.com, revver.com, myvidsrock.com, Media Composer 2.7/Avid Composer 5.7, itsallinyourhands.com, and Iomega (all while Charlie closely watches the clock).

Deceptive Shooting with Shooting Angles Part 2

editor@videomaker.com (Videomaker Magazine) — Sat, 07 Apr 2007 01:00:50 PDT

Mark and Andrew are back with part 2 of deceptive shooting: this installment is how to use depth of field to realistically shoot fake fights.

Critique of Recruitment Video for Culinary School

editor@videomaker.com (Videomaker Magazine) — Sat, 07 Apr 2007 01:00:50 PDT

In this week's "Take 20", John and Charlie showcase our Best Student-Produced Video called: "Chef John Folse Culinary Institute's Recruitment Video."

Climb a Vertical Wall with Deceptive Video Shooting

editor@videomaker.com (Videomaker Magazine) — Sat, 31 Mar 2007 00:30:51 PDT

Andrew and Mark have some easy-to-do tips on deceptive shooting... just in time for April Fool's day.

"Side Effects" Demonstrates Deceptive Shooting and Camera Tricks

editor@videomaker.com (Videomaker Magazine) — Sat, 31 Mar 2007 00:30:51 PDT

In this week's "Take 20", Charlie and John continue the "deceptive shooting" theme with "Side Effects," a video submitted by one of our viewers who has been practicing deceptive shooting for many years. "

Deceptive Shooting with Canon HV20 Video Camera

editor@videomaker.com (Videomaker Magazine) — Sat, 31 Mar 2007 00:30:51 PDT

In our Video Bits & Bytes segment, Derek and Mark talk about Adobe's big announcement: CS3 Production Premium software suite ready for release. Also.... imeem, metacafe, shinywhitebox, and soapbox.

In our segment, Andrew and Mark have some easy-to-do tips on deceptive shooting... just in time for April Fool's day.

In our "Hands On" segment, Mark takes a closer look at the Canon HV20, a compact consumer HDV camcorder.

Please send us your comments at editor@videomaker.com.

See blog 3/30/07 for URLs of stories we talked about on this show.

CS3 Production Premium Software Suite

editor@videomaker.com (Videomaker Magazine) — Sat, 31 Mar 2007 00:30:51 PDT

In our Video Bits & Bytes segment, Derek and Mark talk about Adobe's big announcement: CS3 Production Premium software suite ready for release. Also.... imeem, metacafe, shinywhitebox, and soapbox.